Stones from the Baltic

Objects more or less grounded in reality. Notes from a residency at the Nida Art Colony in 2018. Watercolour on paper. These watercolour paintings are about 25×30 centimetres

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sand/fog

Sand/fog, installation, Lynette Smith, KINGS, head on

Two-channel video + sound. Video collected while on residency at the Nida Art Colony in 2016. Left channel 2:07, right channel 2:03. Voice recording 6:39 (script by Lynette Smith, voice Kai Bradley). Exhibited at KINGS ARI, November 2017. Documentation by Christian Capurro.

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A bewilderment

Looped video + audio, shown at the Centre for Contemporary Photography in Melbourne in 2017. Video collected while on residency at the Nida Art Colony in 2016. A text by Paulius Andriuškevičius. Photographs by Christian Capurro. Extra-territorial landscaping, a text by Paulius Andriuškevičius. ANTI-LANDSCAPE, text by the artist

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Empty targets

Pastel on paper. Exhibited at Sarah Scout Presents as part of Encounter, with Charles O’Loughlin, curated by Vikki McInnes. Exhibition documented by Phebe Schmidt.

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Field (marginal light)

A collaboration with Chris Bond. Installed at West Space in Melbourne in 2015: objects found and made: book, egg tempera on board, video, audio recording of a voice speaking words from the book, acrylic on wood, oil and egg tempera on board, charcoal on canvas, oil on canvas. Exhibition documented by Chris Bond and Chris…

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Field (wooden cypher)

A collaboration with Chris Bond, installed at Blindside in Melbourne in 2015: objects found and made: a wooden box, ink on board, oil on wood, wood, watercolour and gouache on board, 5-channel recording of a voice reading a description of the painting on the box. Exhibition documented by Chris Bond.

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Why things are the way they are

Two videos, side by side; 30 or so metres of electrical cord. On the left, an 89-second clip loops 55 times. On the right, a 55-second clip loops 89 times. Installed at Seventh, Melbourne in 2013. Documented by Christian Capurro.

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